‘Overlord’ Is Still a Nazi-Killing Good Time
If a movie is released with dismal marketing and appalling timing, was it even released? It’s a twist on an old philosophical question that has an easy answer. Just as we are arrogant enough to speculate that human perception determines an event’s significance and the shape of the universe itself, simply assuming a movie like Julius Avery’s Overlord has no value is indicative of what kind of movies the industry deems worth investing in.
