Sundance 2017 Review: Axolotl Overkill
By Andrea Thompson
Ain’t no nihilism like German nihilism, cuz German nihilism don’t stop!
Did that sound like a protest slogan? Well, it’s been a long weekend of them. Perhaps it’s also a reaction against "Axolotl Overkill," which, much like its 16-year-old anti-heroine, completely fails to capture the prevailing mood of the modern world it obviously thinks it knows so well. Worse, it not only fails to offer anything new, but it also fails to channel the 1970s sensibilities it so desperately, and ironically, desires to emulate...